Rembrandt's 1662 group portrait of the Amsterdam drapers' guild wardens, painted for their own hall, turns a formal civic commission into a scene of interrupted attention. This tour follows the six figures, the objects on their table, and the small background painting that frames their work.
A docent-led reading of Turner's 1839 painting of the veteran warship Temeraire on its final voyage, towed up the Thames by a steam tug toward the breaker's yard. The tour moves from the depicted event to the composition, the sunset symbolism, and the painting's place in a changing industrial age.
A late Gothic panel in which Christ crowns Mary as Queen of Heaven, while the Holy Spirit descends as a dove and music-making angels celebrate around them. Gentile da Fabriano's gold-ground composition turns a devotional subject into a courtly ceremony of welcome.
A docent's guide to Goya's reclining nude, a maja on pillows and a green velvet bolster, dated between 1799 and 1800. The account stays close to the supplied record: what the painting shows, how the genre of the nude shapes it, and the one documented thread of its early history in the collection of Ferdinand VII in 1807.
A docent-led look at Edvard Munch's Madonna. The supplied record establishes a painting titled Madonna by Edvard Munch, dated 1894, held at the Munchmuseet in Oslo. It does not explain the subject or its meaning, so this visit stays close to what the evidence actually supports.
A gallery guide to Marcel Duchamp's Bicycle Wheel, first conceived in 1913 and remade here in 1964: a manufactured wheel and fork fixed upside down on a painted stool, shown as an object rather than a picture.
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