A small panel of around 1433 showing a man in a red turban-like headdress turning toward us. Traditionally identified as a self-portrait of Jan van Eyck, but the question mark in the title records that the identification is traditional, not universally accepted. This visit explains what is visible, what is documented, and what remains uncertain.
A close reading of Jan van Eyck's small portrait of a man in a red turban, dated 1433: what the painting shows, why the turban matters, and why the sitter's identity remains an open question.
A docent-led reading of Jan van Eyck's Annunciation, painted around 1434 to 1436 and now in the National Gallery of Art, Washington. The tour follows the angel's spoken message, Mary's answering gesture, and the church that frames them.
Showing 1 to 4 of 4 artworks.
You’ve reached the end of the collection.
Advertising supports the archive. These preferences control aggregate page counting, reading activity and ad-delivery diagnostics. They use no visitor tracking cookie.